Very Very Happy to Report: two of my works will be published this year!! Both are *Definitely* on Track, on Time, and will happen (barring destruction of the publishing house).
In June, I will have a chapter in the anthology of mixed-race people in America, entitled: The Beiging of America: Personal Narratives About Being Mixed Race in the Twenty-First Century. It has some very powerful authors in it, of many racial and national backgrounds, sexual and gender identities, of various generations.
Final proof is being edited as we speak.
In November, after six long years of creative struggle after turning in my book to the publisher, my long-awaited book: Dream of the Water Children: Memory and Mourning in the Black Pacific, will be released. Yes!
The Final proofs and images are being edited and are being put in after being finalized, and waiting for the Introduction and Afterword to be finalized as well. After this, there will be a final go-over by the chief editor and myself, and then it will be printed!
To be honest, since my publisher, for both of these works, is a small independent publisher, the marketing and promotion will mostly fall on me.
Please contact me if you can write a REVIEW for publishing in another publication or online site (or know of someone who is interested and can get published), or if you can plan a promotional reading by me (alone or on a panel or in a group), or help out in any other way.
Let me know if you need more info.
My need to think about Blackness in Asia goes far beyond the fact of my father being an African-American soldier stationed in Japan during the Korean War. It goes beyond anti-Black attitudes among Asians that I have experienced, and the anti-Asian attitude I have experienced among African-Americans today. I knew that a superficial and very American notion of anti-black racism in the United States would not do to understand my own place in history and the languages I would use to uncover and do my part to undo its power in the world.
Tasha – or Yoon Mi Rae in Korea, alternatively known as “T-Tasha”— is definitely South Korea’s greatest Hip-Hop/Rap/R&B or more accurately: K-R&B artist. Her heritage is African-American/Korean, and is in my other posts and the purpose of this whole blog site, her experiences growing up in Korea were full of the prejudiced, racist violence against her.
Often, these lives produce tremendous artistic expression.
This is a 9-year-old video. She was a teenager and still, you can sense how good she is.
This song seeks to empower Black-Korean girls, recorded live off of Korean television, entitled: Wonder Woman.
I will post more of her videos later.
Young Black-Korean Pop singer Michelle Lee 이미쉘 that I introduced to you with her stunning debut music video of Without You, which boldly speaks back to racism against her, is shown here with a recent Acoustic Version of the same song, and sung in English.
One may not notice, but in both videos, the graffiti on the walls that the little girl is at first fearful of, then protests against, says things like “die monster die” and other epitaphs. In the lyrics, she speaks to both a close relation, and society itself for betraying her, lying to her (I love you), then practicing their violence on her. It’s interesting on some commentaries on some sites, some find this unbelievable. Believe it. I also lived this in postwar Japan. It still goes on in Asia: the prejudice against mixed-race people, especially black mixed-race people. Speak back Michelle. I am soooooo moved by her and her beautiful singing.
In the Fall of 2014, a group of Mixed-Korean Amerasians, mostly adoptees from Mixed-race orphanages in Korea, went on a small tour organized by the tour group Me & Korea, back to Korea, to the orphanages, and to meet Insooni 김인순 — Black-Korean pop-star/diva, who was partially responsible for this event.
Like most other Asian nations where American soldiers have tread, there are born the babies from the union between the local women and American servicemen. In Korea, Philippines, Okinawa, Mariana /Solomon Islands, former South Vietnam, Laos, Cambodia, etc.– the Americans have ‘fun’ there, and then go back to the Mainland U.S.A. to join their American families (or are single).
During the immediate postwar, the Japanese government and newly formed civic leaders, were in heated debates on what to do with the mixed-Japanese children left by US, British, Australian, and other allied nations’ military men, with the majority being by the US Americans.
Concepts to think about in relation to the questions below: Sexism. Racism. Nationalism. Transnationalism. Whiteness. Blackness. Indigeneity. Interrace. Mixed-race. Cross-race. Race-mixing. interracial Love. Mixed race children. The Other. Mixing. Crossing. Intermingling.
This is another article on Insooni (Korean R&B/K-pop singer) and her reunion with her childhood American GI friend who helped her through hard times in Korea, posted by Cloud USA.
CLICK on the Link below: