Dream of the Water Children: The Black Pacific

Mizuko 水子 – “Water Children”

Jizo statues stand in many places and in many forms around Japan. Photo by Angie Star.

 

The title of my book: Dream of the Water Children: Memory and Mourning in the Black Pacific, contains terms that are in the in-between space between language, history, and worldviews.  In this post, and the next post, I will focus on the term: water children.  What is this?  In my own use of the term for my book, what does this mean?

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VIDEO: Eric Robinson of Black Tokyo – Race & Identity in Japan

I am featured, along with Black-Okinawan thinker Mitzi-Uehara Carter, in the latest edition of Black Tokyo‘s Vlog at Youtube.

This edition features issues whiteness, blackness and Japanese-ness in relation to Race and Identity in Japan.

Reflecting on the election of Ariana Miyamoto as Miss Universe Japan in 2015, Eric points to various critiques, insights, and conditions that construct the definitions of social change, Japan and Japanese-ness, and the roles of mixed-race-ness in Japanese society, whether influencing Japan or not.

Also: Visit Eric Robinson’s BLACK TOKYO blog here: http://www.blacktokyo.com 

 

Aoyama Michi Music Video: My First Black-Japanese Amerasian Entertainment

Growing up in Japan in the 1950s and 60s, there were a handful of mixed-Japanese (haafu– as we are called nowadays) shown on television. Even more rare were Black-Japanese. I, as you know, use the term “Amerasian” to refer to most of us (not all) mixed-Japanese in the postwar period, as our identities were directly linked with war, the U.S. and Allied Occupation of Japan, and the globalized nation-making period where race played an integral part.  Issues of ‘haafu’ differ today, as Japan has been thoroughly divested of a direct relationship to war and occupation–although it is profoundly linked with the present-day idea and life of Japanese-ness.  For us mixed-Japanese Black Amerasians, the appearance and sounds of Black-Japanese entertainers was both an incredible surprise and joy, but also a reminder of the disdain people had for mixed-Japanese during that time. Of course there were some Japanese who thought it nice and normal, or good. But the majority turned away with a disgusting look upon seeing us.  Sometimes even our own mothers.

And. . . . . . .

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Join ‘Japan’s War Brides and Their Legacies – 2018 Symposium’

Japan’s War Brides and Their Legacies: 2018 Symposium — a symposium on the legacies and effects of the lives of women who married non-Japanese between 1945 to 1965, will be coming at USC (University of Southern California) in 2018.

I will be one of the organizers and looking forward to building this into a solid first-time program.

My hope is that healing, learning, connection, and impacts are made, linking the individual and diverse post-war Japanese women’s experiences with the lives of their children and what and how this links with other stories that create spaces for thinking for social change and social justice, and to honor the lives of the Japanese war-brides, which are often mired in controversy and various forms of invisiblizing.

Our intention is to bring Japanese war brides, their children, and the scholars, artists, filmmakers, and the general community together for a series of events for sharing, thinking, healing, and inspiration.

If you are a child of a Japanese post-WWII marriage, or are yourself, and would like to join in bringing this symposium together, please join our facebook page:

https://www.facebook.com/groups/1849706125309535/

MOSAIC TOURS – Korean Hapa Tours 2017 readying to Go!

 

Mixed-race Korean adoptees, which has become a major industry in Korea, has adopted out to other nations, including most to the United States, since the end of the Korean War (1953). Because of this, many families were separated, and many memories of adopted children—now adults, and adoptive parents, and birth mothers and families, have lived with the realities of their conditions, wanted or not.

The Mosaic Tours have offered healing for many of these people, to in the very least, visit the countries of their birth, many of whom do not remember Korea, since they left so young. Perhaps a fragrance, or a color, or a sensual memory lingers. And then for those adopted out at a later age, which gave chance for memory to endure, the chance to revisit and heal is a tremendous act in the our times of rapid societal and ecological change, and cultural memory being lost to dominant forces and the realities of war, occupation, and violence.  These tours offer great spaces of mixed emotions, joy and inspiration and perhaps sadness. In healing trauma, these moments are held precious.

The Mosaic Tours for this year, are about to embark. If you, or someone you know, is interested, please contact them (refer to the poster from a previous blogpost I published, which I repost below).

 

 

My Early Puzzling racial questions……..

diz-carla-mama-me
Mama, myself, and my friend Diz and his sister Carla, in front of my Dad’s new Mercedes just outside of Tachikawa Air Force Base, Japan in 1961.

When I run into and get to know mixed-race American-Japanese people in the U.S., most of the time, they mention histories of being confused about who they were, their identity. Although, let’s say out of fifty persons I knew, seven or eight of them did not tell me that they questioned their identity, about confusion, the others did. I am one who never had any questions of who I was. But I also began noticing that those who questioned their identity, were mostly born in the United States, or left Japan as a child, before they could form too many sentences. Since American-ness is a place of individuals disconnected from communities, where people must craft their intimacies and friendships and relations, it began to dawn on me that this was not a surprise.

Equally so, was that I was quite sure of who I was and never questioned who I was or what I was.

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Mixed-Race Identity: Celebration?

multiracial-what-is-race-kids

 

Let me be clear from the start: I am critiquing, not criticizing. Criticizing judges, has a moral hierarchy, is more “truth oriented.”  I come from an intellectual background that struggles to critique–to point out crevices, junctures, and points of diversion that may open to new possibilities that present multiple locations from a single space (as opposed to criticism which tends to negate and/or annihilate whatever it points to). What is “multiracial” and “bi-racial” for? Who does it serve? What does it do or not do? Why?

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HAPA JAPAN FESTIVAL 2017 – February 22-26 & Critical Mixed Race Studies Conference – February 24-26

hapa-fest-2017-logo

 

This Year, University of Southern California (USC)  is hosting a concurrent mixed festival and conference: the biannual Hapa Japan Festival (mixed-Japanese heritage studies and celebration) and the annual Critical Mixed Race Studies (CMRS) Conference.

Here is the program for the Hapa Japan Fest:    http://dornsife.usc.edu/cjrc/hapa-japan-festival-2017/

cmrs_program_cover

Here is the program for the Critical Mixed Race Studies Conference: https://criticalmixedracestudies.wordpress.com/cmrs2017-program/  

 

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