A Black-Japanese student enters a Japanese school. The Japanese students are amazed, curious, condescending, afraid, finding ways to make him outcast.
This Short Film, written and directed by Emmanuel Osei-Kuffour, Jr., shines a lens onto a small town, and gives a picture of how Japanese-mix children and people, and black-mixed people and Blacks are treated in Japan.
I was born in Japan and raised there until 1962-3. Then again, from 1968 to 1970–when I was 13 to 15 years old. There was a difference in the two periods.
In the 50s and 60s, racism was more overt, physically violent, and widespread– for me and my kind in Japan. In the late 60s, it was more private and more prone to ostracizing and teasing, although physical violence was still a relative normal response. And as we know from news reports and stories of public figures in Japan who are Black-Japanese, it has not changed much in Japan.
The director hoped to shine a light on this persistent problem of Japanese identity and its treatment of “the other.”
One of the little known stories from the legacy of Afro-Vietnamese children born as one of the results of the contact of French Colonial West African soldiers – tirailleurs sénégalais, with the Vietnamese in the French colonial invasion into Indochina/Southeast Asia, is told through the eyes of Christophe, now a 58-year-old man.
Within Every Woman . . . . . There is a Story. Yes.
This is a very important film. I am glad that it is made.
Konketsuji Rika 混血児 リカ (Mixed-Blood Rica), is another vintage Japanese movie that was fairly successful for its makers. This movie was released in 1972. It was proven so successful that it was turned into a trilogy with two more films in its series. They are in the “exploitation” tradition. More information here.
The Chinese government and its corporations and trade industries, along with elites of many African nations (not all), have had relations for decades and centuries.