This is an excellent, full article by Annie Gowen, with photos by Linda Davidson, in the Washington Post, dated April 17, 2015, entitled: Legacies of War: Forty Years After The Fall of Saigon, Soldiers’ Children are Still Left Behind. Click on the title to go to the article.
The Amerasians usually written about, are still being written about, from the dawn of men who travel and spend time in Asia, away from their domestic lives in the United States and elsewhere, to create babies and as often is the case, abandon them, with their mothers, in that homeland. The Vietnam-Southeast Asia War is the latest, and perhaps most remembered of the Asian Wars in which Amerasians are mentioned, and usually languaged as a “social issue” or a “social problem.” Through this language, in the United States and in Southeast Asia, the “Amerasian” is rendered tragic and objects of literary skills that lock Amerasians into their caste positions to be scorned and left “tragic” and “obscure;” for stories like this to be repeated, and for nation-states and American militaries to continue with the conditions that give birth to, in purposeful ways, the maintaining of sufferings that most people seem to care less about.
This article is excellent, tracing new developments such as DNA testing, which allows Amerasian orphans such as those told in these pages, some hope to find their long-lost families, hoping to rise out of the conditions of poverty and longing in which they are forced because of Vietnam (and other Asian nations) entitling themselves to abuse, exclude, and demote the Amerasians and their mothers, to lowly status and to place them into lives of abject struggle. Their lives are not sad, but full of empowerment, strength, perseverance and skills so that they may survive and find. Some are successful in finding their lost fathers in the U.S., but may come to fierce rebuttals and the closing of doors on their hopes because their fathers, or their father’s spouses, won’t allow it. Others never find their fathers, while others find them and build new lives after their search is over, winding into new paths with or without their fathers bringing their relationship into a light that may grow. Military bases, sex, and the intercultural transactions made through bodies and minds, creating societies in far away places, that are directly related to the amount of suffering incurred on children and women, who then grow into teenagers and adults with certain experiences many cannot imagine and wish not to. But perhaps some will read these stories, to understand the far-reaching consequences of war, occupation, and the concept of global military bases and the realities that American pleasures rest upon–the continuities and heartbreaks that must be, in these men and women’s lives, that seem so far away and yet our privileges are linked to.
When I run into and get to know mixed-race American-Japanese people in the U.S., most of the time, they mention histories of being confused about who they were, their identity. Although, let’s say out of fifty persons I knew, seven or eight of them did not tell me that they questioned their identity, about confusion, the others did. I am one who never had any questions of who I was. But I also began noticing that those who questioned their identity, were mostly born in the United States, or left Japan as a child, before they could form too many sentences. Since American-ness is a place of individuals disconnected from communities, where people must craft their intimacies and friendships and relations, it began to dawn on me that this was not a surprise.
Equally so, was that I was quite sure of who I was and never questioned who I was or what I was.
Very Very Happy to Report: two of my works will be published this year!! Both are *Definitely* on Track, on Time, and will happen (barring destruction of the publishing house).
In June, I will have a chapter in the anthology of mixed-race people in America, entitled: The Beiging of America: Personal Narratives About Being Mixed Race in the Twenty-First Century. It has some very powerful authors in it, of many racial and national backgrounds, sexual and gender identities, of various generations.
Final proof is being edited as we speak.
In November, after six long years of creative struggle after turning in my book to the publisher, my long-awaited book: Dream of the Water Children: Memory and Mourning in the Black Pacific, will be released. Yes!
The Final proofs and images are being edited and are being put in after being finalized, and waiting for the Introduction and Afterword to be finalized as well. After this, there will be a final go-over by the chief editor and myself, and then it will be printed!
To be honest, since my publisher, for both of these works, is a small independent publisher, the marketing and promotion will mostly fall on me.
Please contact me if you can write a REVIEW for publishing in another publication or online site (or know of someone who is interested and can get published), or if you can plan a promotional reading by me (alone or on a panel or in a group), or help out in any other way.
Let me know if you need more info.
The book by Terese Svoboda, Black Glasses Like Clark Kent (Graywolf Press 2008), tells the personal true story of Svoboda’s journey, beginning with her Uncle who becomes depressed, then takes his own life.
Her uncle served in the US Occupation of Japan, working as a Military Stockade guard.
My need to think about Blackness in Asia goes far beyond the fact of my father being an African-American soldier stationed in Japan during the Korean War. It goes beyond anti-Black attitudes among Asians that I have experienced, and the anti-Asian attitude I have experienced among African-Americans today. I knew that a superficial and very American notion of anti-black racism in the United States would not do to understand my own place in history and the languages I would use to uncover and do my part to undo its power in the world.
A Black-Japanese student enters a Japanese school. The Japanese students are amazed, curious, condescending, afraid, finding ways to make him outcast.
This Short Film, written and directed by Emmanuel Osei-Kuffour, Jr., shines a lens onto a small town, and gives a picture of how Japanese-mix children and people, and black-mixed people and Blacks are treated in Japan.
I was born in Japan and raised there until 1962-3. Then again, from 1968 to 1970–when I was 13 to 15 years old. There was a difference in the two periods.
In the 50s and 60s, racism was more overt, physically violent, and widespread– for me and my kind in Japan. In the late 60s, it was more private and more prone to ostracizing and teasing, although physical violence was still a relative normal response. And as we know from news reports and stories of public figures in Japan who are Black-Japanese, it has not changed much in Japan.
The director hoped to shine a light on this persistent problem of Japanese identity and its treatment of “the other.”
In the July 2016 issue of Japanese Entertainment Magazine Eye-Ai（あいあい), Eric Robinson, Creative Director of Online Magazine Black Tokyo is interviewed for a second time.
In this issue, I am mentioned and quoted, as well as my book, along with interesting quotes from Ariana Miyamoto, recently crowned Miss Universe Japan, who is Black-Japanese.
Mitzi Uehara Carter, who is a scholar and teacher whose heritage is Black-Okinawan, and who runs the blog: Grits and Sushi, is also mentioned, as well as Enka Singer from Chicago, Jero ジェロ , whose mother is Black-Japanese Amerasian.
Eric Robinson, Mitzi Uehara-Carter and myself presented together at the forum at UC Berkeley in 2011, entitled: Deployment, Bases, and the US Military in Movement: Imagining Japan and the Self Through Race and Sex.
In this issue, Eric Robinson speaks to how Black Tokyo came to be, and offers thoughts on the importance of Black-Japaneseness being in the Japanese (and global) public eye in the present, where issues of race, gender, and nationalism are important to think into for nations to create a more positive co-existence for diverse citizens in a transnational world.
Eye-Ai（あいあい） 2016年7月号 – Below is the link (try different browsers if you have trouble viewing it).
The Interview begins on Page 28:
Tasha – or Yoon Mi Rae in Korea, alternatively known as “T-Tasha”— is definitely South Korea’s greatest Hip-Hop/Rap/R&B or more accurately: K-R&B artist. Her heritage is African-American/Korean, and is in my other posts and the purpose of this whole blog site, her experiences growing up in Korea were full of the prejudiced, racist violence against her.
Often, these lives produce tremendous artistic expression.
This is a 9-year-old video. She was a teenager and still, you can sense how good she is.
This song seeks to empower Black-Korean girls, recorded live off of Korean television, entitled: Wonder Woman.
I will post more of her videos later.
Here is the second installment of my video series.
It is a visual poem. Read, listen, feel, think.
Hopefully you will be curious, look up information and terms you don’t quite know or understand.
Be outraged? Become more understanding? Curious?
Watch this in HD for the best view!
If you prefer VIMEO – the same video is here: https://vimeo.com/153967699
There has always been contact between cultures. Japan is no different.