One of the strongest global collective memories, still operating in our world today as “the global color line between white and other,” is the Human Zoo.
These “zoos” were planned and constructed to exhibit “aborigines,” native “tribal” peoples, and “indigenous” darker-skinned peoples from around the world, for white and white wanna-be people to be amused and entertained and “discovered” by. Often, they were just added exhibits to existing animal zoos.
From the Asia-Pacific and Pacific Islands, African, European and American continents, the white formation of a “world” was being formed via the consolidating of global mapping and human social ordering through race science (white at the top) and the self-structures of modernity (future-oriented and primitivity connected to the past, ecology and less rational), through which the assumptions of superiority and inferiority are silently or overtly proven. From Burun and Atayal people of Formosa (Taiwan), Igorot and Aeta from the Philippines, Native American tribes including Inuit and Sioux from North America,The Sami of Finland, Egyptian and Congo tribal peoples, and many others, were exhibited.
A Black-Japanese Amerasian reflects on life in the present, with the traces of wars and their aftermaths. 2Leaf Press is pleased to announce the publication of Fredrick D. Kakinami Cloyd’s first book, DREAM OF THE WATER CHILDREN, MEMORY AND MOURNING IN THE BLACK PACIFIC, in June 2016.
The period of the Nanban (“Southern Barbarian”) in Japan 南蛮貿易時代 Nanban bōeki jidai, from 1543 to 1614, is named such to mark the arrival of the first Europeans to Japan and the ensuing establishing of certain relations of power and culture.